Outside of vague poetry I’ve ignored the stroke. I want to pretend it never happened as if, maybe, that will undo the brain damage and emotional trauma that comes with going toe-to-toe with Death. I’ve spent a lot of years flirting with Her and I guess Death finally decided to flirt back.
I’m making a pb&j at midnight because I live alone and can do this kind of thing without arousing suspicion. I haven’t eaten a full meal in a week. The world has made me sick.
As always when I’m sick and tired I think of you. How it’s been almost three months since we last spoke. Almost eighteen since we kissed. How when Death came for me my mother turned you away from our doorstep and how I am glad and resentful for it. How you went from being the woman I wanted to marry to a bullet grazing my cheek en route to elsewhere. Late nights like this the scar stings. I do my best to soothe it with hamfisted metaphor and flourishes but I always fall short.
I always fall short.
I never read the letter you left on my nightstand.
But then you went and gave my mother a card for me in the wake of my nearly-dying. A card full of hallmark sentiments about freedom. “You just crawled tooth and nail from your death bed but don’t you remember how I broke up with you? Aren’t you happy I let you go free?” I’m paraphrasing but that is the spirit of it and I wish I’d never read it.
Would you have said the same thing at my funeral? Eulogized not my corpse below you but our relationship? Waxed poetic about the crushing kindness you did me by breaking my heart?
As if I would allow you to speak at my funeral.
I think I understand what happened now. When your feelings fill your lungs like tar you don’t know what to do about the slow pain of drowning. You wheeze about your selflessness and sacrifice and the undying love you bear others and never manage to cough up what’s eating you.
Lucky for me I’m not dead and I only miss you like this when I’m tired and hungry. Maybe that’s what drove you away. I smother the things I love when there is no clear line at the start of no man’s land.
First come the smiles, then the lies- last is gunfire.
Here we are. Alive and full to bursting. Me with cheap metaphor and you with unspoken tar.
Tell me, how does your freedom taste?
Sometimes I write about her directly, sometimes less clearly, but I write about death as often as I pick up a pen it seems. Death is even a major player in the scifi-fantasy epic Moira and I are writing, turning up as two separate characters with two distinct, vital roles. So what gives? Why am I so obsessed by death?
Cremation is cheap but the laws stating that bones cannot be left whole appall me. I want those significant and alive to have my hair and teeth to make with them what they with and I know with certainty that I do not want to be embalmed and buried in steel and concrete. I prefer to go straight into the ground, in a shroud– some fabric that will rot but maybe embroidered with runes and blessings– but where? Bury me in the Sierras on the East side of Rose below the treeline. Bury me with flowers. Horsemint and melissa and columbine and sage. Burn dragonsblood graveside so my father will be welcome there. Pour wine over my stone marker. I’m weak and afraid and I want to be remembered.